8+ Nutty's Font: Find & Use It Yourself!


8+ Nutty's Font: Find & Use It Yourself!

Figuring out the precise typeface employed by a fictional character, particularly one like Nutty from Pleased Tree Mates, presents a problem. Sometimes, character designs prioritize visible enchantment and recognizability over adherence to particular typographic requirements. Whereas there could also be cases the place textual content is utilized in promotional supplies or merchandise that includes the character, the selection of typeface is often pushed by aesthetic concerns related to the general design context, quite than a deliberate affiliation with the character itself. Subsequently, a direct reply to “what font does nutty use” is usually not obtainable as a result of there isn’t any definitively established or constantly utilized typeface related to the character’s visible identification.

The collection of a typeface for advertising and marketing materials referring to Nutty, if any, typically displays broader branding targets and target market preferences. Elements akin to legibility, visible fashion (e.g., playful, cartoonish), and consistency with the final aesthetic of the Pleased Tree Mates franchise affect the choice course of. Analyzing the font selections throughout varied promotional supplies would possibly reveal recurring kinds that could possibly be loosely related to the model’s general picture, however not particularly tied to the character in query. Historic context reveals that the present’s authentic medium, net animation, would possibly additional de-emphasize the significance of particular and constant font utilization.

Given the elusive nature of the exact typeface, additional investigation would possibly contain analyzing present Pleased Tree Mates media for textual components, scrutinizing related branding tips (if obtainable), or consulting with graphic designers conversant in the franchise’s visible identification. Whereas a definitive reply stays unsure, these methods might present perception into the typographic kinds that complement the character and the broader Pleased Tree Mates universe.

1. Typographic ambiguity

Typographic ambiguity, within the context of the inquiry “what font does nutty use,” arises from the dearth of explicitly outlined typographic tips related to the character. This absence of standardization ends in uncertainty concerning the meant or official typeface for representing the character in textual type.

  • Inconsistent Illustration

    Completely different advertising and marketing supplies or fan-generated content material could make use of various fonts. This inconsistency stems from the absence of a delegated font for the character, leading to various typographic portrayals. For instance, one commercial would possibly use a rounded, cartoonish font, whereas one other makes use of a sans-serif typeface, creating totally different impressions and probably diluting a cohesive model identification, if any such identification exists typographically.

  • Interpretative Freedom

    Graphic designers and content material creators possess interpretive freedom in deciding on fonts for supplies that includes Nutty. Given the dearth of specific tips, their selections are influenced by private preferences, design traits, or the precise necessities of a mission. This freedom additional contributes to the variability in typographic illustration and renders identification of a single definitive typeface elusive.

  • Lack of Official Documentation

    The absence of official documentation or fashion guides specifying a specific font exacerbates the paradox. Sometimes, established manufacturers keep typographic tips to make sure consistency throughout all communication channels. The shortage of such documentation for Nutty means that typographic uniformity shouldn’t be a precedence or concern for the character’s portrayal.

  • Deal with Visible Character Design

    Emphasis is often positioned on the visible design of the character itself, quite than the related typography. The character’s look, together with options and apparel, takes priority over typographic concerns. This prioritisation contributes to the dearth of consideration and standardization in font utilization. The visible design is paramount to character recognition, whereas typography takes a subordinate position.

The multifaceted nature of typographic ambiguity makes definitively answering “what font does nutty use” problematic. The shortage of standardization, mixed with interpretative freedom and the emphasis on visible design, ends in a various vary of typographic representations throughout varied platforms. Additional complicating this, the absence of official documentation additional solidifies the paradox surrounding a definitive typeface related to the character.

2. Visible design priorities

Visible design priorities, within the context of “what font does nutty use,” underscore the precept that character aesthetics and quick recognizability typically supersede inflexible adherence to typographic consistency. These priorities emphasize the visible impression of the character itself, probably relegating font selections to a secondary position.

  • Character Recognition Over Typographic Element

    The first objective in character design is immediate recognition. Nutty, like many animated characters, depends on distinctive visible cueshis sugar dependancy, erratic conduct, and distinctive bodily appearanceto set up his identification. Font selections, due to this fact, are probably subordinate to making sure the character’s visible options are outstanding and constant. For instance, promotional supplies would possibly prioritize a visually hanging picture of Nutty over fastidiously deciding on a particular font, because the character’s picture is the first identifier.

  • Model Aesthetic Alignment

    Font choice usually goals to harmonize with the general model aesthetic of the Pleased Tree Mates franchise. The present’s aesthetic is characterised by juxtaposing cute, cartoonish characters with graphic violence. A font utilized in affiliation with Nutty would probably complement this dichotomy, maybe being playful or innocent-looking to distinction with the character’s typically ugly conditions. An instance could be a rounded, sans-serif font for promotional textual content, reinforcing the cartoonish side whereas not distracting from the darker components of the collection.

  • Contextual Font Choice

    Font selections are sometimes contextual, relying on the precise medium or software. A font used for an internet site banner would possibly differ from that utilized in a printed commercial, primarily based on components akin to display decision, printing constraints, and the meant message. This adaptability can additional obscure any definitive reply to “what font does nutty use,” as no single typeface is universally utilized throughout all contexts.

  • Marketability and Goal Viewers

    Font choice can be influenced by marketability and the target market. Pleased Tree Mates is usually focused in direction of a mature viewers regardless of its cartoonish look. A font chosen for merchandising, for example, would probably enchantment to this demographic, avoiding overly infantile or simplistic typefaces. This means a deliberate consideration of market preferences, additional distancing font selections from a hard and fast character affiliation.

The affect of visible design priorities on “what font does nutty use” reveals that the character’s recognizability and model consistency take priority over establishing a hard and fast typeface identification. The contextual nature of font choice, mixed with market concerns, additional complicates any try and definitively establish a particular font related to the character. Whereas there isn’t any clear reply to “what font does nutty use,” the components influencing font choice emphasize the overarching significance of visible enchantment and model alignment.

3. Advertising and marketing materials evaluation

Advertising and marketing materials evaluation, in relation to the query of typeface affiliation with the character Nutty, entails a scientific examination of promotional content material to establish recurring typographic kinds. This investigation goals to establish fonts incessantly employed in representing the character, even within the absence of official branding tips or a delegated typeface.

  • Identification of Recurring Kinds

    This side focuses on pinpointing font traits that seem repeatedly throughout varied advertising and marketing platforms. Examination extends to promotional photographs, video thumbnails, and merchandise designs. As an illustration, a constant use of daring, sans-serif fonts in headlines that includes Nutty would possibly recommend a deliberate stylistic alternative, indicative of the character’s energetic, albeit erratic, persona. The presence of such recurring options gives probably the most concrete proof in figuring out potential typographic associations.

  • Contextual Software of Typefaces

    The evaluation considers the precise context wherein fonts are used. A font chosen for a kids’s product that includes Nutty might differ considerably from one utilized in advertising and marketing directed at an grownup viewers, regardless of the cartoon’s mature themes. Analyzing this software reveals nuances in typographic choice primarily based on the meant recipient. Instance, a font used to promote shirts, perhaps totally different than the font utilized in promotional photographs.

  • Comparability Throughout Completely different Media

    Completely different media channels typically necessitate various typographic therapies. Printed commercials could permit for finer particulars and extra elaborate font selections, whereas digital platforms would possibly prioritize legibility and scalability. Evaluating font utilization throughout platforms helps decide whether or not sure kinds are constantly related to the character whatever the medium. This evaluation gives perception into the strategic flexibility of font choice, which is significant when attempting to evaluate the character from varied viewpoints.

  • Historic Tendencies in Typography

    The evolution of typographic traits also can affect font selections in advertising and marketing supplies. Older promotional content material could mirror design conventions prevalent on the time, whereas newer supplies would possibly incorporate modern kinds. Analyzing these historic traits gives a temporal perspective on font utilization, serving to distinguish between deliberate character associations and time-dependent design preferences. For instance, using a blocky, pixelated font in early internet advertising could characterize a limitation of the know-how quite than a acutely aware stylistic alternative.

Integrating these aspects of promoting materials evaluation gives a complete perspective on the potential typographic associations with the character Nutty. By figuring out recurring kinds, understanding contextual purposes, evaluating utilization throughout media, and contemplating historic traits, a extra knowledgeable evaluation might be made, acknowledging {that a} definitive “Nutty font” could not exist, however quite a collection of typographic selections that contribute to the character’s general model presence.

4. Model consistency examination

Model consistency examination, when utilized to the question “what font does nutty use,” addresses the extent to which a uniform typographic fashion is maintained throughout varied representations of the character inside the Pleased Tree Mates franchise. This exploration seeks to find out if any constant font selections contribute to a coherent model identification for Nutty.

  • Standardization of Visible Components

    This side analyzes the diploma to which visible components, together with typography, adhere to established requirements. Within the context of Nutty, it investigates whether or not particular fonts are systematically used throughout totally different media and platforms. If a constant typeface is applied in promotional materials, merchandise, and official publications, it might point out a deliberate effort to bolster model recognition via constant visible cues. Conversely, an absence of standardization suggests a extra versatile strategy to typographic selections, prioritizing aesthetic concerns over strict adherence to a prescribed fashion.

  • Software Throughout Media Channels

    The examination extends to various media channels, assessing font utilization on web sites, in print commercials, and on merchandise. Constant font software throughout these channels would signify a cohesive model technique. For instance, if the identical font is used for character names and descriptions throughout all platforms, it might recommend an intentional alignment of visible identification. In distinction, various font selections throughout totally different channels might point out a extra adaptable strategy, tailor-made to the precise medium’s constraints and viewers.

  • Alignment with Total Model Identification

    This evaluation evaluates how typographic selections align with the broader model identification of Pleased Tree Mates. The franchise is characterised by a juxtaposition of cute, cartoonish visuals with graphic violence. Font choice ought to mirror this duality, probably using playful or innocent-looking typefaces to distinction with the collection’ darker components. Constant adherence to this visible theme would reinforce the franchise’s distinctive model identification. A deviation from this established fashion, akin to utilizing overly critical or formal fonts, might disrupt the meant model message.

  • Impression on Viewers Notion

    Consistency in font utilization influences how audiences understand the character and the model. Uniform typographic illustration fosters a way of familiarity and recognition, strengthening the character’s model affiliation. If audiences constantly encounter Nutty’s title or picture accompanied by a particular font, they could develop a unconscious affiliation between the character and that individual typeface. This affiliation can improve model recall and contribute to a extra cohesive model picture. Conversely, inconsistent font utilization could lead to a diluted model identification and diminished viewers recognition.

By exploring these aspects of brand name consistency examination, the inquiry into “what font does nutty use” strikes past a easy identification train. It delves into the strategic implications of typographic selections in shaping the character’s model identification and influencing viewers notion. Whereas the absence of a definitively established typeface could point out a extra fluid strategy, the evaluation of constant patterns and their alignment with the broader model aesthetic gives beneficial insights into the character’s general visible illustration.

5. Promotional typeface overview

Promotional typeface overview, within the context of “what font does nutty use,” entails a rigorous analysis of the typefaces employed throughout varied advertising and marketing campaigns that includes the character. This overview goals to establish any constant or strategically important typographic selections which may function a visible identifier, even when a definitively designated “Nutty font” stays elusive.

  • Legibility Evaluation

    The legibility evaluation examines how simply the chosen typefaces might be learn throughout totally different promotional supplies, contemplating components akin to font measurement, letter spacing, and distinction towards background colours. A extremely legible typeface ensures that advertising and marketing messages are successfully conveyed, no matter the medium. As an illustration, a sans-serif font with beneficiant letter spacing is perhaps favored for digital commercials to boost readability on smaller screens. The collection of illegible or overly stylized fonts, alternatively, might hinder comprehension and diminish the impression of the promotional marketing campaign. Evaluating legibility is essential to figuring out the sensible effectiveness of the typeface inside the promotional context.

  • Aesthetic Alignment

    Aesthetic alignment evaluates how properly the typeface enhances the general visible fashion and tone of the promotional materials. The font ought to harmonize with the character’s persona, the model picture of Pleased Tree Mates, and the meant message. For instance, a playful, cartoonish font is perhaps chosen to mirror Nutty’s whimsical nature, whereas a bolder, extra assertive typeface could possibly be used to emphasise a way of urgency or pleasure in a specific marketing campaign. Mismatched fonts can create visible dissonance, undermining the cohesive aesthetic and probably complicated the viewers. Thus, aesthetic analysis is a crucial a part of gauging whether or not a promotional font enhances the general presentation.

  • Historic Development Evaluation

    Historic pattern evaluation investigates how typographic selections have developed in promotional supplies that includes Nutty over time. This evaluation identifies any shifts in font kinds which may mirror broader design traits or adjustments within the character’s branding. Older promotional supplies would possibly make the most of typefaces that have been standard on the time of their creation, whereas newer campaigns might incorporate modern fonts that align with present aesthetic preferences. By analyzing these traits, insights might be gained into the evolving visible illustration of the character and the strategic concerns behind font choice. This may increasingly additionally clarify why a singular font is not attributable to Nutty.

  • Model Identification Reinforcement

    Model identification reinforcement assesses the diploma to which the typeface contributes to a cohesive and recognizable model picture for Nutty. A constant font choice throughout varied promotional campaigns may also help solidify the character’s visible identification, making it simpler for audiences to establish and join with the model. For instance, if a particular font is constantly used for Nutty’s title or taglines, it will probably create a robust affiliation within the minds of viewers, strengthening model recall and loyalty. Inconsistent font utilization, alternatively, might dilute the model identification and cut back viewers recognition, underscoring the significance of a strategic typeface choice for model reinforcement.

The examination of promotional typefaces in relation to “what font does nutty use” demonstrates that whereas a definitive reply could not exist, the method reveals beneficial insights into the strategic and aesthetic concerns behind font choice. By analyzing legibility, aesthetic alignment, historic traits, and model identification reinforcement, a complete understanding of the typographic selections made in representing the character might be achieved, even within the absence of a universally acknowledged “Nutty font.”

6. Legibility concerns

Legibility concerns play an important, albeit typically understated, position within the question “what font does nutty use.” Whereas the character Nutty, from Pleased Tree Mates, primarily depends on visible design for recognition, textual components in advertising and marketing and promotional supplies necessitate legible typefaces. The collection of a typeface that’s simply readable immediately impacts the effectiveness of conveying messages associated to the character. For instance, a typeface with poor letter spacing or inadequate distinction towards its background would hinder viewers comprehension, probably undermining the advertising and marketing efforts. The cause-and-effect relationship is obvious: diminished legibility results in diminished message reception. Legibility, due to this fact, emerges as a key part when assessing font selections related to the character, even when a single, definitive “Nutty font” shouldn’t be established.

In sensible software, legibility concerns typically dictate using sans-serif fonts for digital commercials or smaller print supplies that includes Nutty. The clear strains and simplified types of sans-serif typefaces improve readability on screens with various resolutions and in confined areas. Conversely, extremely ornamental or script fonts, whereas probably aligning with a whimsical aesthetic, could compromise legibility, particularly for viewers with visible impairments or these accessing content material on cell units. An actual-life instance could be the selection between utilizing a transparent, open sans-serif for an internet site banner advert versus a closely stylized, difficult-to-read font that sacrifices readability for visible aptitude. These selections mirror a deliberate steadiness between aesthetic enchantment and practical communication. The usage of legible typeface ensures message supply and that advertising and marketing efforts will likely be fruitful.

In abstract, whereas the precise typeface related to Nutty is variable and sometimes secondary to visible design priorities, legibility stays a elementary consideration within the choice course of. The selection of a legible font immediately impacts the readability and impression of promoting messages. Navigating the steadiness between aesthetic alignment and practical readability presents an ongoing problem, however prioritizing legibility is crucial for efficient communication and viewers engagement. The broader theme highlights that fonts should not solely a design alternative, it’s a practical side when coping with advertising and marketing and communication.

7. Cartoon aesthetic affect

The cartoon aesthetic considerably influences typographic selections when branding characters akin to Nutty from Pleased Tree Mates. This aesthetic emphasizes visible simplicity, expressiveness, and a lighthearted tone, which regularly interprets into particular font preferences. The purpose is to pick out typefaces that complement the character’s visible design and the general ambiance of the cartoon, avoiding something that may conflict with its inherent playfulness. For instance, typefaces with rounded terminals, irregular baselines, or these mimicking hand-drawn kinds are sometimes favored. A extreme, formal typeface would usually be prevented, because it contradicts the cartoon’s meant informality and enjoyable. The success of the character’s branding and visible communication relies upon, partly, on deciding on fonts that seamlessly combine with its cartoonish persona. With out font selections that flatter the cartoonish artwork fashion, it would diminish the character’s allure. Subsequently, the chosen fonts have to mirror cartoon’s visible.

Analyzing promotional supplies that includes Nutty reveals that fonts with a playful, barely infantile aesthetic are incessantly employed. This alternative reinforces the visible cues already current within the character’s design, akin to his exaggerated options and brilliant colours. Examples embody using bubble fonts or these with a barely irregular character width, which lends a way of caprice and spontaneity. This constant aesthetic strategy shouldn’t be unintentional; it is a deliberate technique to make sure that all visible components, together with typography, contribute to a unified model message. The impact of a mismatched font, like a serif typeface generally utilized in authorized paperwork, would conflict with the enjoyable character of Nutty. It would dilute the character’s meant allure and create visible discord, demonstrating the significance of the connection.

In conclusion, the cartoon aesthetic exerts a strong affect over font choice for characters like Nutty. The chosen typefaces are integral to reinforcing the character’s visible identification and sustaining consistency with the general model. The constant use of whimsical and casual typefaces helps create a cohesive model picture that resonates with the target market and enhances the character’s enchantment. Understanding this connection clarifies that discovering the proper font is greater than an aesthetic element; it’s critical to a cartoon character’s marketability. The query of “what font does Nutty use” is, then, understood in context, and the perfect response is a font that aligns with the cartoon aesthetic.

8. Character design impression

Character design considerably influences typographic selections in advertising and marketing supplies. The visible attributes of a personality necessitate font alternatives that complement and improve the general aesthetic, establishing a cohesive model identification. Within the case of “what font does nutty use,” the character’s particular design traits dictate the parameters for appropriate typographic components.

  • Exaggerated Options and Font Playfulness

    Nutty’s design, characterised by exaggerated options akin to his outstanding buck enamel and candy-centric fixation, compels using playful or cartoonish fonts. A font that’s overly critical or formal would conflict with the character’s established visible identification, making a dissonance that diminishes the general enchantment. For instance, using a rounded sans-serif typeface reinforces the character’s whimsical nature, whereas a serif typeface usually utilized in authorized paperwork could be incongruous.

  • Colour Palette and Font Colour Issues

    The character’s colour palette immediately influences font colour choice and distinction. Nutty’s vibrant colours necessitate fonts that keep legibility with out being overshadowed by the character’s dominant hues. A poorly chosen font colour, akin to a lightweight shade on a brilliant background, would compromise readability. The strategic use of contrasting colours ensures that textual components are simply discernible, contributing to efficient communication.

  • Emotional Tone and Font Type

    Nutty’s design conveys a specific emotional tone, usually a mix of lightheartedness and impulsivity. The chosen font fashion ought to reinforce this emotional context. A font with uneven baselines or barely irregular letterforms would possibly improve the character’s quirky persona. Conversely, a inflexible or overly structured font might undermine the meant emotional impression. This nuanced alignment between character design and font fashion is important for sustaining constant messaging.

  • Character Recognition and Font Consistency

    Sustained character recognition depends on constant software of design components, together with typography. If a particular font or typographic fashion is constantly related to Nutty throughout varied advertising and marketing supplies, it strengthens model recognition. This consistency creates a visible shorthand, enabling audiences to shortly establish and join with the character. Conversely, inconsistent font utilization can dilute the model identification, making it tougher for audiences to type a transparent affiliation.

These aspects spotlight that the inquiry “what font does nutty use” extends past mere font identification. It necessitates a complete understanding of how character design parameters affect typographic selections, guaranteeing that the chosen fonts contribute to a cohesive and recognizable model presence. The connection serves not simply to label the character, but in addition to bolster advertising and marketing.

Regularly Requested Questions

This part addresses widespread inquiries concerning the typeface related to the character Nutty from Pleased Tree Mates. It seeks to make clear the typographic selections, or lack thereof, related to the character’s model and advertising and marketing supplies.

Query 1: Is there a particular font formally designated for the character Nutty?

No formally designated font exists particularly for the character Nutty. Typographic selections are sometimes secondary to visible design priorities and model aesthetic concerns inside the Pleased Tree Mates franchise.

Query 2: How are fonts usually chosen for advertising and marketing supplies that includes Nutty?

Font choice is often decided by the necessity to complement the cartoon aesthetic, keep legibility, and align with the general model identification of Pleased Tree Mates. These selections are contextual and should differ primarily based on the medium and target market.

Query 3: What typefaces are generally noticed in affiliation with the character Nutty?

Playful, cartoonish sans-serif fonts with rounded terminals are incessantly noticed. These typefaces align with the character’s whimsical nature and contribute to a cohesive model picture.

Query 4: Does the absence of a particular font impression model recognition for Nutty?

Whereas a constant font can improve model recognition, Nutty’s character recognition primarily depends on visible design components akin to his distinctive look and mannerisms. The shortage of a delegated font doesn’t essentially diminish the character’s recognizability.

Query 5: How does font choice contribute to the emotional tone conveyed by the character Nutty?

The chosen font fashion ought to reinforce the emotional tone conveyed by Nutty’s design, usually a mix of lightheartedness and impulsivity. Typefaces which might be too formal or critical can conflict with the character’s meant emotional impression.

Query 6: What position does legibility play in font choice for promotional supplies that includes Nutty?

Legibility is a main consideration. Promotional supplies ought to make use of typefaces which might be simply readable throughout totally different media and platforms, guaranteeing that advertising and marketing messages are successfully conveyed to the viewers.

In abstract, whereas a single, definitive font for Nutty stays elusive, the rules guiding typographic selections constantly prioritize visible concord, model alignment, and efficient communication. Font alternatives function a way to enhance the character’s design and improve the general messaging inside the Pleased Tree Mates universe.

The following part will delve deeper into the concerns round potential copyright points.

Typographic Issues for Character Branding

The next ideas present steerage on deciding on and using typefaces for character branding, notably in conditions the place a definitive, formally designated font is absent.

Tip 1: Prioritize Visible Concord. Typeface choice ought to complement the character’s visible design, enhancing general aesthetic coherence. If the character has exaggerated, cartoonish options, a playful or whimsical font is usually preferable. A stark, formal typeface could create visible dissonance.

Tip 2: Preserve Legibility Throughout Media. Promotional supplies are distributed throughout varied platforms, together with print, digital shows, and merchandise. Typefaces ought to keep legibility whatever the viewing context. Sans-serif fonts, typically with beneficiant letter-spacing, usually carry out properly throughout various media.

Tip 3: Align with Model Identification. Typographic selections should align with the overarching model identification. For the Pleased Tree Mates franchise, this typically entails balancing a cartoonish aesthetic with darker themes. Typefaces ought to neither undermine nor overshadow the franchises core messaging.

Tip 4: Contemplate Emotional Tone. Typefaces convey emotional undertones. Choose fonts that reinforce the character’s meant emotional expression. Keep away from typefaces that convey inappropriate or conflicting emotional messages.

Tip 5: Conduct Aggressive Evaluation. Study typographic traits and selections inside the character branding panorama. Determine profitable examples and potential pitfalls in font choice to tell strategic selections.

Tip 6: Set up Fundamental Tips. Even with out specifying one unique font, create tips on acceptable fonts. Embody restrictions, for instance excluding script fonts, to keep up consistency.

Tip 7: Use A number of Fonts Sparingly. Restrict the variety of fonts utilized in advertising and marketing materials to 2-3, to advertise a constant visible model.

Adhering to those ideas facilitates efficient character branding via strategic typographic selections, even within the absence of a single, formally designated font. The target is to boost character recognition and model cohesion.

The following dialogue examines authorized ramifications of utilizing trademarked fonts.

Conclusion

The exploration into typographic illustration of the character Nutty from Pleased Tree Mates reveals {that a} singular, formally designated font is absent. As a substitute, font choice depends on a confluence of things: the cartoon aesthetic, legibility necessities, and alignment with the general model identification. Promotional materials evaluation reveals an inclination in direction of playful, cartoonish sans-serif typefaces, however no definitive normal emerges. The absence underscores that visible design priorities and contextual concerns typically outweigh inflexible typographic prescriptions.

Whereas the question “what font does nutty use” lacks a concrete reply, the method of investigation illuminates the complexities of character branding and typographic technique. The absence of a delegated font presents each a problem and a possibility: a problem to keep up visible consistency and a possibility to adapt to evolving design traits. Future exploration could contain deeper evaluation of fan-generated content material or investigation into the unwritten design rules guiding Pleased Tree Mates’ visible branding. Finally, a personality’s success is extra about visible recognition that strict font tips.